“I’m Carrie,” she said and for the first time I thought of a chain of perception. “-and I’m a.” and I’m aware. But her saying so was radical and that, that is different. But being different is being the same and so the fact stands, but you’re different. She agreed and then “it needs to die” before her coffee/tea, as if it needed to die before her coffee/tea cooled. But it cooled. Then it was to some market, then to some stop with people and she knew half the lot but told me not to feel nervous, which doesn’t work – but it did. So I grabbed her hand and she let go, so I fell -on the inside- all the way to the bus and all the way to the room. Brandon told me I was something faggoty and I told him to shut up and he did, in a bit. Then I climbed the roof and watched stars fade in and fade out and the next track played – I was home. Her and I went to some market, then to some stop with people and we knew few people but she cried when we left. And I drove her home, and she broke twice. It was my turn but I just quit. We lied about where we’d gone, and I left. To a station for coffee, regular coffee. Then I came back and never saw anyone again because I studied everything I did. Carrie grew and I did too, mostly to resent her voice, ah well. Take our money and thanks, we walked to a room and tried and missed; I left. Again. Then to some market, to some stop with really nothing. I haven’t seen Carrie since for a couple of years, but I will when I’m ready.
Murky experimental techno with some very original noise textures and ambient elements. Comes with a few extra tracks - definitely worth the purchase. Robert Hamill
The long-running NYC group's full-length debut explores the various guises of minimalism in music, from Krautrock to post-rock. Bandcamp New & Notable May 16, 2019
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